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Wednesday, September 02, 2009


Same As It Ever Was, Same As It Ever Was

Sooooo, I keep thinking there hasn't been all that much going on lately, and thus nothing of real import to convey, but then I realize the reason I think that is because I've been so darned busy of-late that I haven't had much time to think much about all the things I HAVE been doing.

A brief summary to-wit:

Although the office move is still a good two months away, there's been a huge amount of prep work involved: for example, I've been dealing on an almost daily basis with the contractors who are building out the new space, which frequently involves mid-day site visits to check on progress, answer questions, clarify where things are supposed to go, etc., etc.. Fortunately, we have lots of time to get this phase completed, and the contractors are making excellent progress, so that part of the job should be finished by next week, which will give me a little bit of a break before dealing with the second phase, namely, starting to get the current office ready for the physical move.

In addition to the above of course, I'm simultaneously identifying and implementing the various logistical elements involved with the move: securing the services of a mover, document disposal, scheduling with the phone companies, the post office, getting change-of-address info out to vendors, our members, and our national staff, getting bids on new signage, et al, along with starting the process of figuring out what we're getting rid of, what we're taking, and where it's all going to live once it gets there.

And of course, all of this is occurring in the midst of our normal, day-to-day work load, which has been much busier this late summer than normal. The TV series shooting down in Portland is winding up for the season, but because the last two episodes are being shot simultaneously (I'm guessing it's a two-parter), it's essentially doubled the amount of work we would normally need to do during an equivalent time-frame. Plus, they're adding and subtracting cast as the scripts and shooting-schedules change, so I've literally been on the phone with their Associate Producer and/or modifying cast clearances three or even four times a day. It's not a huge amount of extra work, but it is high-priority, so anything I happen to be doing at the time gets dropped; definitely messes up the "flow".

On the good side though, they've been renewed for a 3rd season, and it looks very likely they'll return to PDX for shooting next spring.

And in the middle of all of this, I'm well into week four of the ELDM diet. Haven't actually started weighing myself, as I thought I'd try to drop a few pounds before self-inflicting the dread of whatever scale number is going to come up, but I continue to notice a gradual loss of extra padding, to the point where a couple of days ago I could actually see something that vaguely looks like a rib beginning to show through; just one mind you, so I've got quite a ways to go before I have to start worrying about losing too much (!), but it's an encouraging start.

Things at the theatre are in a bit of a lull for the moment. We just closed our final shows of the season, and are officially on a teensy hiatus until the next show opens in late October, although we have a month-long "mini fringe festival" event coming in starting next week.

Actually, it's pretty exciting. Back in 1991 Seattle was the first U.S. city to put on a Fringe Theatre Festival (there had been several running in Canada prior to that), but it went belly-up in 2003. Still, a lot of Seattle performers have continued to ply the Canadian and eastern U.S. festival circuit, and they've frequently returned with reports of terrific performances and companies that no longer have an opportunity to be seen here. So, a bright, ambitious individual, one Andrew Connor, himself a veteran of the fringe fest circuit, has decided to do something about this, namely, to invite a whole passel of fellow festival acts to Seattle for a month-long "best of" mini-fringe fest, appropriately titled, The Suitcase Festival.

Annex has had an ongoing relationship with Andrew and his company for a couple of years now, and we've been kicking around ideas for some time as to ways we could collaborate, so this was pretty much a no-brainer so far as our Company was concerned. Several of the groups are local, but most aren't, so this will be the first chance in a long time (if not the first time ever) that Seattle audiences will have so see these companies perform.

And who knows? Maybe it'll get people here excited about the idea of reviving the now long-somnolent Seattle Fringe Festival...

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Posted byCOMTE on 10:29 AM


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